Introduction to the concepts, methods, and materials of print including a combination of intaglio, relief, lithography, serigraphy, and/or book arts.

Explore techniques of drawing in a contemporary context. Focus on line, line weight, continuous line, contour line, sighting, figure, gesture, perspective (two point, three point, and isometric/orthogonal drawing), value, color, and texture.

Introduction to painting techniques, composition, and exploration of personal expression.

Create planar works and explore formal principles and conceptual concerns in a contemporary context.

Create spatial works and explore formal principles and conceptual concerns in a contemporary context.

Introduction to the processes involved in the production of object-oriented sculpture using direct methods of hot and cold construction.

Explore time-based media and digital technology in a contemporary context.

Exploration of various methods, subjects, and expressive possibilities in drawing.

Problems in drawing and construction of the human figure in selected media.

Introduction to video, digital, net.art, and multiple media art forms with an emphasis on experimentation and a DIY approach to production. Focuses on the history, theory, and evolution of media art practices and their relation to the Internet and social media networks.

An introduction to the practice, history, and theory of performance art in a variety of contexts and spaces, including theatrical, the white cube, and the workaday world.

An introduction to still photography, including basic technical skills and concepts.

Study in digital video, sound, and animation, with emphasis on the exploration of movement, image, and montage. Guided inquiry into pertinent conceptual, perceptual, and practical skills.

This course is used to record credit the student earns while enrolled at another institution in a program administered by the University's Study Abroad Office. Credit is recorded as assigned by the study abroad adviser in the Department of Art and Art History. University credit is awarded for work in an exchange program; it may be counted as coursework taken in residence. Transfer credit is awarded for work in an affiliated studies program.

Intensive study of various disciplines of studio art.

Study of the artistic culture and techniques associated with digital visualization, three dimensional data acquisition, and various forms of digital fabrication including 3D Printing, computer numerical controlled milling, and Laser Cutting.

Continuation of Studio Art 320K.

Problems in composition and exploration of personal expression.

Continuation of Studio Art 315K.

Exploration of the concepts and processes involved in the production of object-oriented sculpture, with emphasis on indirect methods of mold-making and casting. Encourages individual direction.

Exploration of the theories and methods involved in the production of installation sculpture through the investigation of form and space and of their function in transforming environmental, architectural, or invented sites.

Studio course. Advanced publishing projects in print and/or digital media.

Practice in the theories and techniques of multicolor serigraphy and photoserigraphy.

Instruction in relief print processes in conjunction with digital technologies. Utilization of laser cutters, CNC routers, and large-format photo printers as well as traditional techniques to generate dynamic projects in woodcut, linocut, and more. Emphasis on contemporary print practice in the expanded field.

Instruction in the theories and techniques of intaglio printmaking, color, assemblage, stencil, viscosity, collography, photo process, and relief.

Instruction in the theories and techniques of metal plate, multicolor, and stone lithography and photolithography.

Explore the concepts, methods, and materials of monotype.

Explore various fiber and soft materials.

This course is used to record credit the student earns while enrolled at another institution in a program administered by the University's Study Abroad Office. Credit is recorded as assigned by the study abroad adviser in the Department of Art and Art History. University credit is awarded for work in an exchange program; it may be counted as coursework taken in residence. Transfer credit is awarded for work in an affiliated studies program.

This course is used to record credit the student earns while enrolled at another institution in a program administered by the University's Study Abroad Office. Credit is recorded as assigned by the study abroad adviser in the Department of Art and Art History. University credit is awarded for work in an exchange program; it may be counted as coursework taken in residence. Transfer credit is awarded for work in an affiliated studies program.

Focuses on the concepts and practice of print.

Practice in still photography, including materials and processes.

Explore eco art through creative inquiry into how natural, social and technological systems co-shape life, relationships, and possible futures.

Engage in creative inquiry and develop work with and in relation to living systems, drawing from conceptual, bio, eco, performance, socially engaged, and technology-based art practices.

Advanced practice of media art exploring time, space, and reality through multidimensional forms. An investigation of media technologies and networks: aesthetically, formally, theoretically or conceptually using traditional media, new media, and immaterial approaches.

Advanced workshop in performance art that focuses on the development of researched solo and collaborative projects.

Study in digital video, sound, and animation, with emphasis on the exploration of cinematic time and its time-based installation. Guided inquiry into the relationship between video and video projections, and technics and technology.

Advanced study of the artistic culture and techniques associated with digital visualization, three dimensional data acquisition, and various forms of digital fabrication including 3D Printing, computer numerical controlled milling, and Laser Cutting.

Continuation of Studio Art 321K.

Advanced problems in drawing and construction of the human figure.

Advanced exploration of philosophy, theory, and criticism from a studio art perspective.

Explore a process-based journey through the history of photography and photographic printmaking. Discuss, innovate and create while engaging with the history of photography.

Explore the intersection of art and healthcare.

Exploration of professional practices as they relate to the field of visual arts. Focus on writing an artist statement and resume, as well as learning about writing and applying for exhibition, grant, and residency opportunities.

Exploration of various methods, subjects, and expressive possibilities in painting.

Exploration of various methods, subjects, and expressive possibilities in drawing.

Exploration of the human figure in selected media.

Exploration of the concepts, methods, and materials of print.

Exploration of the processes involved in the production of object-oriented sculpture.

Exploration of still photography.

Exploration of time-based media.

Study of specific techniques or problems.

Student-initiated research and development of complex media art and hybrid media art projects.

Advanced independent inquiry into the development of performance art projects requiring focused research and time.

Advanced study in video, sound, and animation with an emphasis on individual research reflecting students' artistic goals.

Continuation of Studio Art 341K.

Advanced research in the theory, technology, and methods involved in the production of sculpture, with emphasis on individual direction.

Problems in drawing and construction of the human figure.

Continuation of Studio Art 322K.

Practice in photography with an emphasis on long-term photography-based projects, more advanced technical knowledge, and a deeper familiarity with uses of the medium.

Individual projects to be completed under faculty supervision.

Inquiry of specific themes in photography which can include: photographic intervention, photography since 1945, photo book making, abstraction in photography, appropriation in photography, and lighting for photography.

Explore advanced issues, subjects, and processes in contemporary print and the expanded field.

Intensive advanced study of various disciplines of studio art.

Intensive advanced study of various disciplines of studio art.

Group critiques of student artwork organized under the leadership of the instructor, in addition to regular individual studio visits between the instructor and each student.

Addresses topics and issues in contemporary art. Uses lectures, readings, guest presentations, discussions, and writings to articulate and define contemporary art practices.

Topics and issues in contemporary art. Lectures, readings, guest presentations, discussions, and writings provide an opportunity for students to discuss the production and reception of culture.

Introduction to the extensive research assets of the University. Focus on critical assessment skills and developing effective and consistent habits for working in the studio.

Continuation of Studio Art 384F. Focuses on critiquing skills, talking and writing about artwork, and defining effective studio practices. Students work with peers and faculty from across the studio disciplines.

Intensive advanced study of various disciplines of studio art.

Explore computer modeling, 3D data acquisition, and digital fabrication.

Intensive advanced study of various disciplines of studio art.

Study of effective strategies for entering various aspects of the art world. Experiences may include lectures, guest specialists, field trips, and readings.

Written interpretation of the artwork created in the graduate program, addressing influences on and concepts of the work, and including a digital portfolio of major works and influences.

Preparation for the presentation of a professional exhibition in which significant work from each student is displayed. The exhibition is curated by the instructor with all students collaborating in its execution. The students' final sixty-hour review takes place during the exhibition and is individually conducted by faculty committee. At a later date during the exhibition, students publicly discuss and present their work in a colloquium open to the public.

Training in teaching methods and procedures for studio art classes, including weekly group meetings with the instructor and individual consultations.